{"id":1761,"date":"2023-05-17T07:59:10","date_gmt":"2023-05-17T05:59:10","guid":{"rendered":"http:\/\/saxonartgallery.com\/hu\/?p=1761"},"modified":"2023-07-16T12:31:33","modified_gmt":"2023-07-16T10:31:33","slug":"jose-guedes-muzsak-musas-muses-invitation","status":"publish","type":"post","link":"https:\/\/saxonartgallery.com\/hu\/jose-guedes-muzsak-musas-muses-invitation\/","title":{"rendered":"Jos\u00e9 Guedes: M\u00fazs\u00e1k \/ Musas \/ Muses > Invitation"},"content":{"rendered":"\n

Tisztelettel megh\u00edvjuk \u00d6nt, Jos\u00e9 Guedes<\/strong> brazil k\u00e9pz\u0151m\u0171v\u00e9sz \u201eM\u00fazs\u00e1k\u201d<\/strong> c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s\u00e1nak megnyit\u00f3 \u00fcnneps\u00e9g\u00e9re 2023. m\u00e1jus 25-\u00e9n, cs\u00fct\u00f6rt\u00f6k\u00f6n 19 \u00f3r\u00e1ra. A ki\u00e1ll\u00edt\u00e1st \u0150excellenci\u00e1ja Susan Kleebank<\/strong>, a Brazil Sz\u00f6vets\u00e9gi K\u00f6zt\u00e1rsas\u00e1g Budapestre Akkredit\u00e1lt Nagyk\u00f6vete nyitja meg.<\/p>\n\n\n\n

A ki\u00e1ll\u00edt\u00e1s megtekinthet\u0151 2023. j\u00falius 16-ig, szerd\u00e1n \u00e9s cs\u00fct\u00f6rt\u00f6k\u00f6n 15-18 \u00f3ra k\u00f6z\u00f6tt. Finissz\u00e1zs j\u00falius 13-\u00e1n 15 \u00e9s 20 \u00f3ra k\u00f6z\u00f6tt lesz. Kur\u00e1tor: D\u00e1rdai Zsuzsa.<\/strong><\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

M\u00fazs\u00e1k \u2013 Jos\u00e9 Guedes brazil k\u00e9pz\u0151m\u0171v\u00e9sz ki\u00e1ll\u00edt\u00e1sa<\/h3>\n\n\n\n

A m\u0171v\u00e9szett\u00f6rt\u00e9net visszat\u00e9r\u0151 t\u00e9ma Jos\u00e9 Guedes m\u0171v\u00e9szeti munk\u00e1ss\u00e1g\u00e1ban, k\u00fcl\u00f6n\u00f6sen az ut\u00f3bbi \u00e9vekben. Kisaj\u00e1t\u00edt\u00e1sai\/appropri\u00e1ci\u00f3i szabadok, \u00f6sszetettek, keverik a tisztelg\u00e9st \u00e9s a megk\u00e9rd\u0151jelez\u00e9st. A Saxon Art Gal\u00e9ri\u00e1ban most l\u00e1that\u00f3 \u201eM\u00fazs\u00e1k\u201d c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s ennek a vizsg\u00e1l\u00f3d\u00e1snak h\u00e1rom sz\u00e1l\u00e1t mutatja be; h\u00e1rom konstrukt\u00edv\/geometrikus sorozatot, amelyeket k\u00fcl\u00f6nb\u00f6z\u0151 term\u00e9szet\u0171 \u00e9s univerzum\u00fa m\u0171v\u00e9szek ihlettek.<\/p>\n\n\n\n

A \u201eStella-sorozatban\u201d a m\u0171vek akrilfest\u00e9kkel festett v\u00e1gott ACM (alum\u00ednium) anyagb\u00f3l \u00e9p\u00fclnek fel. A kompoz\u00edci\u00f3k Frank Stella amerikai m\u0171v\u00e9sz m\u0171vei kont\u00farjainak szuperpoz\u00edci\u00f3j\u00e1b\u00f3l indulnak ki, s az eredetiek tartalm\u00e1nak megsz\u00fcntet\u00e9s\u00e9vel e festm\u00e9nyek nyilv\u00e1nval\u00f3 hasonl\u00f3s\u00e1got mutatnak a Madi mozgalom m\u0171v\u00e9szeinek alkot\u00e1saival. A MADI Latin-Amerika egyik f\u0151 hozz\u00e1j\u00e1rul\u00e1sa az egyetemes m\u0171v\u00e9szethez, hat\u00e1sa Guedes m\u0171v\u00e9szi p\u00e1lyafut\u00e1s\u00e1nak k\u00fcl\u00f6nb\u00f6z\u0151 szakaszaiban is k\u00f6nnyen nyomon k\u00f6vethet\u0151. Ak\u00e1r k\u00f6zvetlen utal\u00e1sokkal, ak\u00e1r a \u201ebrazil neokonkr\u00e9tizmus\u201d r\u00e9v\u00e9n, amely sz\u00e1mos (egyesek \u00e1ltal elfogadott, m\u00e1sok \u00e1ltal tagadott) rokons\u00e1got tart fenn a Madival.<\/p>\n\n\n\n

A \u201eKlee\u201d c\u00edm\u0171 m\u0171v\u00e9ben Guedes szabad \u00e9s kartezi\u00e1nus dekonstrukci\u00f3s rekonstrukci\u00f3t k\u00e9sz\u00edtett alum\u00ednium \u00e9s akrilfest\u00e9k felhaszn\u00e1l\u00e1s\u00e1val a sv\u00e1jci m\u0171v\u00e9sz, Paul Klee 1938-as \u201eHarmoniz\u00e1lt r\u00e9gi\u00f3\u201d c\u00edm\u0171 m\u0171v\u00e9b\u0151l, amellyel a chicag\u00f3i Art Institute-ban tett l\u00e1togat\u00e1sa sor\u00e1n tal\u00e1lkozott. Ez a sorozat hordozza az eredeti finom kapcsolatot a forma \u00e9s a kromatikus paletta k\u00f6z\u00f6tt, de k\u00fcl\u00f6nb\u00f6z\u0151 poz\u00edci\u00f3ba forgatva \u0151ket, \u00fajabb vari\u00e1ci\u00f3k sz\u00fcletnek.<\/p>\n\n\n\n

A \u201eHomage to the Circle\u201d (k\u00f6zvetlen utal\u00e1s Josef Albers \u201eHomage to the Square\u201d c\u00edm\u0171 m\u0171v\u00e9re) m\u0171v\u00e9ben Guedes mozgalmas kompoz\u00edci\u00f3kat hoz l\u00e9tre, sz\u00ednes k\u00f6r\u00f6ket helyez egym\u00e1sra egy monokr\u00f3m alapon, amely szint\u00e9n k\u00f6r alak\u00fa. A kompoz\u00edci\u00f3kban haszn\u00e1lt egyes elemek sz\u00edneit digit\u00e1lis eszk\u00f6z\u00f6kkel olyan nagy mesterek festm\u00e9nyeir\u0151l szedi le, mint Mir\u00f3, Marden, Diebenkorn, Matisse, Morandi, Mondrian<\/em> \u00e9s akrilfest\u00e9kkel v\u00e1szonra reproduk\u00e1lja azokat. Minden m\u0171 c\u00edmk\u00e9nt hozza a felhaszn\u00e1lt sz\u00ednek forr\u00e1s\u00e1t.<\/p>\n\n\n\n

A \u201eM\u00fazs\u00e1k\u201d egy p\u00e9ld\u00e1tlan ki\u00e1ll\u00edt\u00e1s, a h\u00e1rom sorozat hivatalos premierje, amely a m\u0171v\u00e9sznek a m\u0171v\u00e9szett\u00f6rt\u00e9net term\u00e9keny ter\u00fclet\u00e9re tett kir\u00e1ndul\u00e1sai szint\u00e9zis\u00e9t mutatja be.<\/p>\n\n\n\n

\n\n\n\n

Musas \u2013 Exposi\u00e7\u00e3o do artista Jos\u00e9 Guedes<\/h3>\n\n\n\n

A Historia da arte \u00e9 tema recorrente na produ\u00e7\u00e3o art\u00edstica de Jos\u00e9 Guedes, sobretudo nos \u00faltimos anos. Suas \u201capropria\u00e7\u00f5es\u201d s\u00e3o livres, complexas e mesclam homenagens e questionamentos. \u201cMusas\u201d exposi\u00e7\u00e3o ora em cartaz na Saxon Art Gallery, apresenta tr\u00eas vertentes dessa investiga\u00e7\u00e3o; tr\u00eas s\u00e9ries construtivas \/ geom\u00e9triicas inspiradas em artistas de v\u00e1rias naturezas e universos, inclusive, figurativos.<\/p>\n\n\n\n

Em Stella, as obras s\u00e3o constru\u00eddas em ACM (alum\u00ednio) recortado pintadas com tinta acr\u00edlica, cujas composi\u00e7\u00f5es partem da sobreposi\u00e7\u00e3o de contornos de trabalhos do artista estadunidense Frank Stella, ressaltando, na elimina\u00e7\u00e3o dos conte\u00fados dos originais, a evidente semelhan\u00e7a dessas pinturas com aquelas de artistas do movimento Madi, que consiste numa das principais contribui\u00e7\u00f5es da Am\u00e9rica Latina para a arte universal. Ali\u00e1s, na trajet\u00f3ria de Guedes, \u00e9 facilmente percept\u00edvel a influ\u00eancia desse movimento em v\u00e1rias fases do seu trabalho. Seja com refer\u00eancias diretas ou atrav\u00e9s do \u201cNeoconcretismo Brasileiro\u201d que mantem v\u00e1rias afinidades (aceitas por uns, negadas por outros) com o Madi.<\/p>\n\n\n\n

Em \u201cKlee\u201d, Guedes faz uma livre e cartesiana reconstru\u00e7\u00e3o desconstrutiva da obra do artista su\u00ed\u00e7o Paul Klee, intitulada \u201cHarmonized Region\u201d, de 1938, que conheceu numa visita ao The Aart Institute of Chicago, tamb\u00e9m se utilizando de alum\u00ednio recortado e tinta acr\u00edlica. Esta s\u00e9rie traz do original sutis rela\u00e7\u00f5es com a forma e com a delicadeza da paleta crom\u00e1tica, por\u00e9m, subvertendo-as e varia\u00e7\u00f5es infinitas.<\/p>\n\n\n\n

Em \u201cHomenagem ao C\u00edrculo\u201d (refer\u00eancia direta a \u201cHomenagem ao Quadrado\u201d de Josef Albers) o artista cria composi\u00e7\u00f5es movimentadas, sobrepondo c\u00edrculos coloridos numa base monocrom\u00e1tica tamb\u00e9m circular. As cores de cada elemento utilizado nessas composi\u00e7\u00f5es s\u00e3o pin\u00e7adas com ferramentas digitais de pinturas de grandes mestres como Mir\u00f3, Marden, Diebenkorn, Matisse, Morandi, Mondrian… e reproduzidas em tinta acr\u00edlica sobre tela. Cada obra tr\u00e1s como t\u00edtulo a fonte das cores utilizadas.<\/p>\n\n\n\n

\u201cMusas\u201d \u00e9 uma exposi\u00e7\u00e3o in\u00e9dita, lan\u00e7amento oficial destas tr\u00eas s\u00e9ries que se fundem formatando uma s\u00edntese das incurs\u00f5es do artista no f\u00e9rtil territ\u00f3rio da hist\u00f3ria da arte.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n
\n\n\n\n

Muses \u2013 Art exhibition of Jos\u00e9 Guedes<\/h3>\n\n\n\n

The History of Art is a recurrent theme in Jos\u00e9 Guedes’ artistic production, especially in recent years. His \u2018appropriations\u2019 are free, complex and mix homage and questioning. \u2018Muses,\u2019 an exhibition now on display at Saxon Art Gallery, presents three strands of this investigation; three constructive\/geometric series inspired by artists of various natures and universes, including figurative ones.<\/p>\n\n\n\n

In \u2018Stella\u2019, the works are constructed in cut ACM (aluminum) painted with acrylic paint, whose compositions start from the superposition of contours of works by the American artist Frank Stella, emphasizing, in the elimination of the contents of the originals, the evident similarity of these paintings with those of artists from the Madi movement, which consists of one of the main contributions of Latin America to universal art. In fact, in Guedes’ trajectory, the influence of this movement is easily perceptible in various phases of his work. Whether with direct references or through the \u2018Brazilian Neo-Concretism\u2019 that maintains several affinities (accepted by some, denied by others) with Madi.<\/p>\n\n\n\n

In \u2018Klee\u2019, Guedes makes a free and Cartesian deconstructive reconstruction of the work of the Swiss artist Paul Klee, entitled \u2018Harmonized Region\u2019, from 1938, which he met during a visit to The Art Institute of Chicago, also using cut aluminum and acrylic paint. This series brings from the original subtle relationships with form and the delicacy of the chromatic palette, however, subverting them and endless variations.<\/p>\n\n\n\n

In \u2018Homage to the Circle\u2019 (a direct reference to Josef Albers’ \u2018Homage to the Square\u2019) the artist creates busy compositions, superimposing colored circles on a monochromatic base that is also circular. The colours of each element used in these compositions are picked up with digital tools from paintings by great masters such as Mir\u00f3, Marden, Diebenkorn, Matisse, Morandi, Mondrian, and reproduced in acrylic paint on canvas. Each work brings as a title the source of the colours used.<\/p>\n\n\n\n

\u2018Muses\u2019 is an unprecedented exhibition, the official launch of these three series that merge to form a synthesis of the artist’s incursions into the fertile territory of the history of art.<\/p>\n","protected":false},"excerpt":{"rendered":"

2023. 05. 25.
\n—<\/p>\n","protected":false},"author":1,"featured_media":1763,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[41,4,102],"tags":[105],"class_list":["post-1761","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-41","category-invitation","category-sag-p29","tag-guedes-jose-bra"],"jetpack_featured_media_url":"https:\/\/saxonartgallery.com\/hu\/wp-content\/uploads\/SAG-P29_Inv_en_2023-05-25_feat.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/posts\/1761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/comments?post=1761"}],"version-history":[{"count":6,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/posts\/1761\/revisions"}],"predecessor-version":[{"id":1814,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/posts\/1761\/revisions\/1814"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/media\/1763"}],"wp:attachment":[{"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/media?parent=1761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/categories?post=1761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/tags?post=1761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}