{"id":2423,"date":"2026-01-29T07:31:53","date_gmt":"2026-01-29T06:31:53","guid":{"rendered":"https:\/\/saxonartgallery.com\/hu\/?p=2423"},"modified":"2026-01-29T11:16:53","modified_gmt":"2026-01-29T10:16:53","slug":"vasarely-120-a-modern-labirintus-nyelve-invitation","status":"publish","type":"post","link":"https:\/\/saxonartgallery.com\/hu\/vasarely-120-a-modern-labirintus-nyelve-invitation\/","title":{"rendered":"Vasarely 120 \u2013 A modern labirintus nyelve > Invitation"},"content":{"rendered":"\n

2026-01-30 | Eserny\u0151s Gal\u00e9ria, Budapest<\/strong><\/p>\n\n\n\n

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A Korszakv\u00e1lt\u00f3 M\u0171v\u00e9szek Egyes\u00fclete, a Magyar Elektrogr\u00e1fiai T\u00e1rsas\u00e1g \u00e9s a Mobil MADI M\u00fazeum ki\u00e1ll\u00edt\u00e1sa<\/strong> | Eserny\u0151s Gal\u00e9ria<\/strong> \u2013 1033 Budapest, F\u0151 t\u00e9r 2.<\/p>\n\n\n\n

Megnyit\u00f3: <\/strong>2026. janu\u00e1r 30., 19 \u00f3ra<\/p>\n\n\n\n

Megnyitja:<\/strong> Sipos T\u00fcnde m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz<\/p>\n\n\n\n

Megtekinthet\u0151:<\/strong> 2026. febru\u00e1r 19-ig<\/p>\n\n\n\n

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Victor Vasarely P\u00e1rizsban vil\u00e1gh\u00edr\u0171v\u00e9 v\u00e1lt magyar-francia m\u0171v\u00e9sz sz\u00fclet\u00e9s\u00e9nek 120., tov\u00e1bb\u00e1 a Dessaui Bauhaus 100., \u00e9s a MADI mozgalom 80. \u00e9vfordul\u00f3j\u00e1t \u00fcnnepelj\u00fck. Vasarely m\u0171v\u00e9szi p\u00e1ly\u00e1ja \u00e9s alkot\u00e1sai szorosan k\u00f6t\u0151dnek a konstrukt\u00edv hagyom\u00e1nyokhoz, a Bauhaus szellemis\u00e9g\u00e9hez, amely a geometrikus absztrakci\u00f3, a funkcionalizmus \u00e9s a m\u0171v\u00e9szet t\u00e1rsadalmi integr\u00e1ci\u00f3ja ir\u00e1nti elk\u00f6telezetts\u00e9gben nyilv\u00e1nul meg.<\/p>\n\n\n\n

VASARELY \u00c9S A BAUHAUS<\/strong><\/p>\n\n\n\n

Vasarely az 1920-as, 1930-as \u00e9vekben, a budapesti Bauhaus-iskolak\u00e9nt ismert, Bortnyik S\u00e1ndor m\u0171hely\u00e9nek volt tagja, ahol rekl\u00e1mgrafik\u00e1t \u00e9s modern designt tanult. 1922 \u00e9s 1925 k\u00f6z\u00f6tt Weimarban \u00e9lt, ahol szoros kapcsolatban \u00e1llt a Bauhaus tan\u00e1raival \u00e9s di\u00e1kjaival, p\u00e9ld\u00e1ul Breuer Marcellal \u00e9s Moholy-Naggyal. Magyarorsz\u00e1gi tanulm\u00e1nyai \u00e9s a budapesti Bauhaus-k\u00f6zeli m\u0171helyben val\u00f3 r\u00e9szv\u00e9tele megalapozt\u00e1k k\u00e9s\u0151bbi, nemzetk\u00f6zi h\u00edr\u0171 m\u0171v\u00e9szi munk\u00e1ss\u00e1g\u00e1t.<\/p>\n\n\n\n

KI\u00c1LL\u00cdT\u00d3 M\u0170V\u00c9SZETI CSOPORTOSUL\u00c1SOK<\/strong><\/p>\n\n\n\n

Mobil MADI M\u00fazeum:<\/strong> MADI Univerzum 80 \u2015 V\u00e1logat\u00e1s a Mobil MADI M\u00fazeum anyag\u00e1b\u00f3l. A MADI a Mozg\u00e1s, az Absztrakci\u00f3, a Dimenzi\u00f3 \u00e9s Invenci\u00f3 szavakb\u00f3l l\u00e9trej\u00f6tt mozaiksz\u00f3, amely Buenos-Aires \u00e9s P\u00e1rizs ut\u00e1n, Magyarorsz\u00e1gon is meghonosodott nemzetk\u00f6zi kort\u00e1rs geometrikus k\u00e9pz\u0151m\u0171v\u00e9szeti mozgalom. A \u201890-es \u00e9vekben 16 orsz\u00e1g mindegy 150 m\u0171v\u00e9sz\u00e9nek felaj\u00e1nl\u00e1s\u00e1val l\u00e9trej\u00f6tt a magyarorsz\u00e1gi (\u00f3budai) sz\u00e9khely\u0171 Mobil MADI M\u00fazeum.<\/p>\n\n\n\n

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A Magyar Elektrogr\u00e1fiai T\u00e1rsas\u00e1g<\/strong> 2001-ben alakult Budapesten, a Bart\u00f3k 32 Gal\u00e9ri\u00e1ban, a nagyr\u00e9szt az 1996-ig m\u0171k\u00f6d\u0151 \u00c1rny\u00e9kk\u00f6t\u0151k m\u0171v\u00e9szeti csoport m\u0171v\u00e9szeib\u0151l 19 alap\u00edt\u00f3 taggal. A tagok m\u00e9lyrehat\u00f3an foglalkoznak az elektrogr\u00e1fi\u00e1val, mint forradalmian \u00faj m\u0171alkot\u00e1si lehet\u0151s\u00e9ggel, ezekb\u0151l a munk\u00e1kb\u00f3l v\u00e1logatva sz\u00e1m\u00edt\u00f3g\u00e9pen gener\u00e1lt grafik\u00e1kat, anim\u00e1ci\u00f3kat mutatunk be. Eml\u00e9kezve arra, hogy a p\u00e1ly\u00e1j\u00e1t tervez\u0151grafikusk\u00e9nt kezd\u0151 Victor Vasarely elm\u00e9leti gondolatai a digit\u00e1lis t\u00e1rsadalom k\u00e9phaszn\u00e1latait megel\u0151legezt\u00e9k, mint p\u00e9ld\u00e1ul a programoz\u00e1son alapul\u00f3 algoritmikus \u00e1br\u00e1zol\u00e1st, MI-t, NFT-t.<\/p>\n\n\n\n

A Korszakv\u00e1lt\u00f3 M\u0171v\u00e9szek Egyes\u00fclete<\/strong> 2012-ben azzal a c\u00e9llal j\u00f6tt l\u00e9tre, hogy a magyar kort\u00e1rs m\u0171v\u00e9szeti k\u00f6zegben seg\u00edtse a k\u00e9pz\u0151- \u00e9s el\u0151ad\u00f3m\u0171v\u00e9szek munk\u00e1j\u00e1t, \u00f6sszehozza a t\u00e1rsm\u0171v\u00e9szetekkel \u00e9s az alkot\u00f3- \u00e9s el\u0151ad\u00f3m\u0171v\u00e9szet hat\u00e1rter\u00fcletein dolgoz\u00f3kkal. Ki\u00e1ll\u00edt\u00f3i megid\u00e9zik Vasarely j\u00f6v\u0151be mutat\u00f3 vizu\u00e1lis kutat\u00e1sait \u00e9s m\u0171v\u00e9szetpedag\u00f3giai gyakorlat\u00e1t, mik\u00f6zben a kort\u00e1rs m\u0171v\u00e9szet eszk\u00f6zeivel \u00faj kontextusba helyezik azt. Ezt Vasarely egyik felh\u00edv\u00e1sa alapj\u00e1n teszik: amivel felhatalmazta a m\u0171v\u00e9szeket, hogy k\u00e9peit az aktu\u00e1lis korszaknak megfelel\u0151 anyagokkal \u00fajrateremts\u00e9k.<\/p>\n\n\n\n

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KI\u00c1LL\u00cdT\u00d3K<\/strong><\/p>\n\n\n\n

Mobil MADI M\u00fazeum:<\/strong> Andr\u00e9 Stempfel (F), B\u00e1ny\u00e1sz \u00c9va (H), Jo\u00ebl Besse (F), Cajsa Holmstrand (S), Carmelo Arden Quin (UY, F), Charles B\u00e9zie (F), Claude Bourguignon (F), Claude Pasquer (F), Dagoberto Becerrit (YV), Didier Stephant (F), Dominique Binet (F), Erik Falk (S), F. Farkas Tam\u00e1s (H), Fabrice Ainaut (F), Faj\u00f3 J\u00e1nos (H), Ga\u00ebl Bourmaud (F), Giuseppe Minoretti (I), Hetey Katalin (H, F), Horv\u00e1th L\u00e1szl\u00f3 (H), Jaildo Marinho (BR, F), Jean Branchet (F), Jean-Pierre Viot (F), Jo\u00ebl Froment (F), Jol\u00e1thy Attila (H, F), Jos\u00e9e Lapeyr\u00e8re (F), Kelle Antal (H), Marian Drugda (SK), Milo, Renato (I), Mirella Forlivesi (I), Mirsouko Mori (J, F), Octavio Herrera (VE, F), Paola Zorzi (I), Piergiorgo Zangara (I), Reale F. Frangi (I), Roger Bensasson (F), Roger Neyrat (F), Salvador Presta (I), Saxon Sz\u00e1sz J\u00e1nos (H), Viktor Hul\u00edk (SK)<\/p>\n\n\n\n

Korszakv\u00e1lt\u00f3 M\u0171v\u00e9szek Egyes\u00fclete:<\/strong> Benk\u0151 Ram\u00f3na (H), V\u00e1rosi Gabriella (H)<\/p>\n\n\n\n

Magyar Elektrogr\u00e1fiai T\u00e1rsas\u00e1g:<\/strong> V\u00e1logat\u00e1s a MET tagjainak munk\u00e1j\u00e1b\u00f3l.<\/p>\n\n\n\n

KI\u00c1LL\u00cdT\u00c1SBAN K\u00d6ZREM\u0170K\u00d6D\u0150K<\/strong><\/p>\n\n\n\n

Szervez\u0151: <\/strong>Benk\u0151 Ram\u00f3na k\u00e9pz\u0151m\u0171v\u00e9sz, kultur\u00e1lis szervez\u0151 (Korszakv\u00e1lt\u00f3 M\u0171v\u00e9szek Egyes\u00fclete Tag), Saxon Sz\u00e1sz J\u00e1nos k\u00e9pz\u0151m\u0171v\u00e9sz (Mobil MADI M\u00fazeum)<\/p>\n\n\n\n

Ki\u00e1ll\u00edt\u00e1si koncepci\u00f3, kur\u00e1tor: <\/strong>Benk\u0151 Ram\u00f3na | Kur\u00e1tor:<\/strong> D\u00e1rdai Zsuzsa m\u0171v\u00e9szetkritikus (Mobil MADI M\u00fazeum)<\/p>\n\n\n\n

A ki\u00e1ll\u00edt\u00e1s t\u00e1mogat\u00f3i:<\/strong> Argentin Nagyk\u00f6vets\u00e9g, Eserny\u0151s Gal\u00e9ria, Korszakv\u00e1lt\u00f3 M\u0171v\u00e9szek Egyes\u00fclete, Magyar Elektrogr\u00e1fiai T\u00e1rsas\u00e1g, Mobil MADI M\u00fazeum, Saxon Art Gallery<\/p>\n\n\n\n

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K\u00cdS\u00c9R\u0150RENDEZV\u00c9NYEK<\/strong><\/p>\n\n\n\n

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2026-01-30 | Eserny\u0151s Gal\u00e9ria, Budapest
\n—<\/p>\n","protected":false},"author":1,"featured_media":2424,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[130,4,127],"tags":[45,129,128],"class_list":["post-2423","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-130","category-invitation","category-sag-p42","tag-artists-of-mobile-madi-museum","tag-kme","tag-met"],"jetpack_featured_media_url":"https:\/\/saxonartgallery.com\/hu\/wp-content\/uploads\/SAG-P42_Inv-hu_2026-01-30_feat.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/posts\/2423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/comments?post=2423"}],"version-history":[{"count":5,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/posts\/2423\/revisions"}],"predecessor-version":[{"id":2479,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/posts\/2423\/revisions\/2479"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/media\/2424"}],"wp:attachment":[{"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/media?parent=2423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/categories?post=2423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/tags?post=2423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}