{"id":279,"date":"2018-01-12T17:18:00","date_gmt":"2018-01-12T16:18:00","guid":{"rendered":"http:\/\/infotandem.hu\/galeria\/?p=279"},"modified":"2025-08-30T12:01:48","modified_gmt":"2025-08-30T10:01:48","slug":"cinetiquie-invitation","status":"publish","type":"post","link":"https:\/\/saxonartgallery.com\/hu\/cinetiquie-invitation\/","title":{"rendered":"Cin\u00e9tiquie > Invitation"},"content":{"rendered":"\n
\"\"<\/a><\/figure>\n\n\n\n
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Ce qui a marqu\u00e9 le tournant dans la pens\u00e9e cr\u00e9atrice contemporaine, c\u2019est certainement cette conscience soudaine de l\u2019ins\u00e9parabilit\u00e9 spatiotemporelle, r\u00e9v\u00e9l\u00e9e aussi simultan\u00e9ment dans les th\u00e9ories scientifiques lesa plus avanc\u00e9es.<\/p>\n\n\n\n

Le mouvement et le rythme entrent par la grande porte dans la pratique artistique pour s\u2019imposer souvent, et surtout gr\u00e2ce a l\u2019avanc\u00e9e incessante de l\u2019art abstrait, comme le seul vrai sujet et le signe incontestable de la modernit\u00e9. La vision, auparavant immuable, commence a s\u2019\u00e9tendre dans la dur\u00e9e, soit par le mouvement r\u00e9el, soit par l\u2019addition des instants successifs cr\u00e9ant par cons\u00e9quence un mouvement fictif r\u00e9tinien. Le cin\u00e9tique passe a l\u2019optique avec toutes ses implications perceptives et psychologiques entrainant une oeuvre qui englobe dans son int\u00e9gralit\u00e9 non seulement le substantiel, mais surtout le devenir.<\/p>\n\n\n\n

Il s\u2019\u00e9tablit une nouvelle dialectique du r\u00e9el et de l\u2019imaginaire qui engendre des images et des formes spatiales dynamis\u00e9es. La r\u00e9alit\u00e9 et la matiere se d\u00e9voilent comme des flux d\u2019\u00e9nergie. L\u2019image s\u2019ouvre par ses intersections fragment\u00e9es: le mouvement et le rythme deviennent la ressource d\u2019une nouvelle expressivit\u00e9. Il ne s\u2019agit plus de la reproduction ou de l\u2019imitation, mais d\u2019une analogie plastique bas\u00e9e sur l\u2019appr\u00e9hension d\u2019une r\u00e9alit\u00e9 dynamique et vivante, de formes qui n\u2019embrassent plus seulement l\u2019espace, mais aussi le temps, de formes qui ne peuvent plus se priver de cette pens\u00e9e temporelle. L\u2019artiste fa\u00e7onne le temps comme il fa\u00e7onne l\u2019espace.<\/p>\n\n\n\n

Ainsi les Cubistes, qui ont suivi le chemin bien trac\u00e9 de C\u00e9zanne par le fraction-nement du r\u00e9el, les Futuristes par la dynamisation de la vision, commenc\u00e9e d\u00e9ja dans l\u2019exp\u00e9rimentation photographique de Muybridge et Marey, ensuite pass\u00e9e par la conceptualisation de Duchamp, sans oublier les Constructivistes russes, le Supr\u00e9matisme extrasensoriel de Malevitch et ses perspectives cosmiques, le N\u00e9oplasticisme id\u00e9alis\u00e9 de Mondrian ou l\u2019Orphisme lumineux de Kupka et surtout des Delaunay, apparaissent comme les pr\u00e9curseurs d\u2019un art appel\u00e9 aujourd\u2019hui en toute l\u00e9gitimit\u00e9 \u00ab Art Cin\u00e9tique \u00bb. Ce courant artistique, repr\u00e9sent\u00e9 par ses protagonistes historiques comme Vasarely, Soto, Agam, Morellet, Cruz-Diez, Le Parc ou Molnar, est au coeur de l\u2019actualit\u00e9 des dernieres d\u00e9cennies.<\/p>\n\n\n\n

Il est profond\u00e9ment ancr\u00e9 dans un esth\u00e9tisme largement g\u00e9om\u00e9trisant, expression fidele d\u2019une sensibilit\u00e9 associ\u00e9e entierement a cette nouvelle ere galopante et incontournable du num\u00e9rique et a ses enseignements sortis directement d\u2019une logique cybern\u00e9tique ultrasophistiqu\u00e9e.<\/p>\n\n\n\n

Milija Belic, Commissaire de l\u2019exposition<\/p>\n\n\n\n

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A k\u00e9pz\u0151m\u0171v\u00e9szet gondolkod\u00e1sm\u00f3dj\u00e1ban fordul\u00f3pontot jelentett a t\u00e9r \u00e9s az id\u0151 egym\u00e1st\u00f3l val\u00f3 elv\u00e1laszthatatlans\u00e1g\u00e1nak felismer\u00e9se. A t\u00e9r-id\u0151 probl\u00e9mak\u00f6r \u2013 a tudom\u00e1nyos \u00e9lethez hasonl\u00f3an \u2013 a m\u0171v\u00e9szetben is a kutat\u00e1sok k\u00f6z\u00e9ppontj\u00e1ba ker\u00fclt.<\/p>\n\n\n\n

A mozg\u00e1s \u00e9s a ritmus er\u0151teljes megjelen\u00edt\u00e9se a m\u0171v\u00e9szi gyakorlatban, nagym\u00e9rt\u00e9kben \u00f6sszef\u00fcgg\u00f6tt az absztrakt m\u0171v\u00e9szet \u2013 a modernit\u00e1s \u00e9lenj\u00e1r\u00f3ja \u2013 folyamatos jelenl\u00e9t\u00e9vel, mer\u00e9sz k\u00e9rd\u00e9sfelvet\u00e9seivel, a t\u00e9m\u00e1k \u00fajszer\u0171 megk\u00f6zel\u00edt\u00e9s\u00e9vel. A kinetika t\u00f6rv\u00e9nyszer\u0171s\u00e9geinek \u00e9rv\u00e9nyes\u00fcl\u00e9s\u00e9vel a kor\u00e1bban v\u00e1ltozatlannak hitt \u201el\u00e1tv\u00e1ny\u201d ak\u00e1r az igazi mozg\u00e1s r\u00e9v\u00e9n, ak\u00e1r az egym\u00e1st k\u00f6vet\u0151 pillanatok hozz\u00e1ad\u00e1s\u00e1val fikt\u00edv retin\u00e1lis mozg\u00e1st hoz l\u00e9tre. A kinetikus alkot\u00e1sok az optika teljes spektrum\u00e1ra hatnak \u2013 minden \u00e9szlel\u00e9si \u00e9s pszichol\u00f3giai k\u00f6vetkezm\u00e9ny\u00e9vel egy\u00fctt. Hi\u00e1nytalanul tartalmazz\u00e1k \u00f6nmaguk s\u00e9rtetlen egys\u00e9g\u00e9t, nem csak a kivonatolt l\u00e9nyegest.<\/p>\n\n\n\n

\u00daj dialektika szervez\u0151dik, amely val\u00f3s \u00e9s \u00e9rz\u00e9kcsal\u00f3d\u00e1sos k\u00e9pekben \u00e9s dinamikus t\u00e9rbeli form\u00e1kban manifeszt\u00e1l\u00f3dik. Az \u00e9rz\u00e9kel\u00e9s \u00e9s a mat\u00e9ria \u00f6sszekapcsol\u00f3dik \u00e9s energiaforr\u00e1sk\u00e9nt szolg\u00e1l: a k\u00e9p a t\u00f6redezett keresztez\u0151d\u00e9sekn\u00e9l t\u0171nik fel, a mozg\u00e1s \u00e9s a ritmus egy \u00faj m\u0171v\u00e9szi min\u0151s\u00e9g forr\u00e1s\u00e1v\u00e1 v\u00e1lik. A kinetikus alkot\u00f3k nem az eredeti m\u00e1solat\u00e1ra vagy az ut\u00e1nz\u00e1sra v\u00e1llalkoznak, hanem olyan anal\u00f3gi\u00e1t mutatnak fel, amely a dinamikus \u00e9s \u00e9l\u0151 val\u00f3s\u00e1g meg\u00e9rt\u00e9s\u00e9n alapul. Olyan form\u00e1kat hoznak l\u00e9tre, amelyek nem csak t\u00e9riek, de id\u0151beliek is \u2013 nem foszthat\u00f3k meg az id\u0151beli gondolatt\u00f3l. A m\u0171v\u00e9sz id\u0151t form\u00e1l, amikor alak\u00edtja a teret.<\/p>\n\n\n\n

Mindez elk\u00e9pzelhetetlen lett volna a modern m\u0171v\u00e9szet el\u0151zm\u00e9nyei n\u00e9lk\u00fcl: a kubist\u00e1k n\u00e9lk\u00fcl, akik k\u00f6vett\u00e9k C\u00e9zanne \u00fatj\u00e1t a bels\u0151 szerkezet megragad\u00e1s\u00e1val, \u00e9s a t\u00e9rviszonyok \u00fajra\u00e9rtelmez\u00e9s\u00e9vel; a futurist\u00e1k n\u00e9lk\u00fcl, akik a l\u00e1t\u00e1s dinamiz\u00e1l\u00e1s\u00e1val k\u00eds\u00e9rleteztek; Muybridge mozg\u00f3 lovakr\u00f3l k\u00e9sz\u00edtett fot\u00f3i n\u00e9lk\u00fcl; vagy Marey fot\u00f3pusk\u00e1val k\u00e9sz\u00fclt felv\u00e9telei n\u00e9lk\u00fcl; \u00e9s persze Duchamp konceptu\u00e1lis kinetikus kubizmusa n\u00e9lk\u00fcl; az orosz konstruktivist\u00e1k, a szuprematizmus, Malevics kozmikus perspekt\u00edv\u00e1i n\u00e9lk\u00fcl; Mondrian idealiz\u00e1lt neoplaszticizmusa vagy Delaunay \u00f6szt\u00f6n\u00f6s zenei kubizmusa n\u00e9lk\u00fcl\u2026<\/p>\n\n\n\n

\u0150k a \u201eprekurzorok\u201d, akik legitim\u00e1lj\u00e1k a \u201ekinetikus m\u0171v\u00e9szetet\u201d, azt a kort\u00e1rs m\u0171v\u00e9szeti \u00e1ramlatot, amelynek t\u00f6rt\u00e9nelmi f\u0151szerepl\u0151i \u2013 Vasarely, Soto, Agam, Morellet, Cruz-Diez, le Park, Molnar \u2013 \u00e9vtizedek \u00f3ta a m\u0171v\u00e9szet f\u00e9nyl\u0151 csillagai. E m\u0171v\u00e9szi \u00e1ramlat m\u00e9lyen gy\u00f6kerezik a geometrikus m\u0171v\u00e9szet \u201eeszt\u00e9ticizmus\u00e1ban\u201d, szervesen kapcsol\u00f3dik hozz\u00e1 korunk f\u00e9ktelen digit\u00e1lis kifejez\u00e9st\u00e1ra, tan\u00ed- t\u00e1sa pedig k\u00f6zvetlen\u00fcl beletorkollik a kibernetika \u00e9rz\u00e9keny logik\u00e1j\u00e1ba.<\/p>\n\n\n\n

Milija Belic, a ki\u00e1ll\u00edt\u00e1s kur\u00e1tora<\/p>\n\n\n\n

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Ford\u00edtotta D\u00e1rdai Zsuzsa, a Saxon Art Gallery kur\u00e1tora (Megjegyz\u00e9s: Magyar vonatkoz\u00e1sban sz\u00edvesen megeml\u00edten\u00e9m m\u00e9g a kinetikus m\u0171v\u00e9szet f\u00e9nyl\u0151 csillagai k\u00f6z\u00f6tt Sch\u00f6ffer Mikl\u00f3st \u00e9s Gyula Kosic\u00e9t, prekurzork\u00e9nt pedig Moholy-Nagy L\u00e1szl\u00f3t.)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

> 2018. 01. 15.
\n—<\/p>\n","protected":false},"author":1,"featured_media":280,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[36,4,10],"tags":[42,46,47,50,51,52,53,54,56,58,59,62,70,71,72,75,85,88,89,90,95],"class_list":["post-279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-36","category-invitation","category-sag-p05","tag-apikian","tag-arvelaiz","tag-aubry","tag-belic","tag-besse","tag-bezie","tag-bordas","tag-bruckert","tag-caland","tag-delnau","tag-drakulic","tag-fancony","tag-hornef","tag-hotter","tag-hulik","tag-kimura","tag-rips","tag-sato","tag-saxon","tag-segawa","tag-vilder"],"jetpack_featured_media_url":"https:\/\/saxonartgallery.com\/hu\/wp-content\/uploads\/2023\/02\/SAG-P05_Inv-en_2018-01-15_feat.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/posts\/279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":1,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/posts\/279\/revisions"}],"predecessor-version":[{"id":2199,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/posts\/279\/revisions\/2199"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/media\/280"}],"wp:attachment":[{"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/media?parent=279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/categories?post=279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/saxonartgallery.com\/hu\/wp-json\/wp\/v2\/tags?post=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}